Uluslararası Sanat ve Sanat Eğitimi Dergisi

ISSN: 2667-4769

ANALYTIC CUBISM FROM A PHILOSOPHICAL POINT OF VIEW


  1. the century has a tight relationship with the technological structure, which is the locomotive of its own change. In this period, art entered into new pursuits, breaking away from nature and exploring the unchanging. It found this in the never-ending World of mind. Stripped of the phenomenal structure by the discovery of the mental, Cubism has created itself in all dimensions of the spirituality. Cubism has found the forms it uses in art beyond space and timeliness in pure idede. The West has realized a rational concept with its paradigm of analytic Cubism versus phenomenon structure, which exposes the metaphysical concept. Analytic Cubism made itself visible in settled images, forms, by eliminating the perception of reality of the phenomenal illusion. Geometric forms, such as cylinder and Square, used in cubic art, can be grasped only by reason leaning against reality. These forms go to a sensuality formed by their own epistemology by disposing of the dimensions of reality in response to all kinds of phenomenal images. This sensuality will be realized by analytical thinking on the mind itself. Cubism thus comes across as an understanding of art that is the basis of philosophy that has never been seen before. In this way, a new prophecy was realized in art along with Cubism.


Keywords


Geometry, Philosophy, Cubism, Current, Art

Author : Ümit PARSIL -Bayram DEDE
Number of pages: 257-266
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Uluslararası Sanat ve Sanat Eğitimi Dergisi
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